Fast Composites, Real Results: What Dan Harlacher's Color Change Workflow Taught Me About Letting Go

I’ve been doing this long enough to know that most of my time on a composite doesn’t go toward the hard stuff. It goes toward friction. Opening the wrong app, bouncing between tools that don’t talk to each other, second-guessing a mask that was fine twenty minutes ago. The actual creative decisions take maybe thirty percent of the session. The rest is process drag. That’s why I keep coming back to tutorials from people who’ve built tight, confident workflows.