Fast Composites, Smarter Color: What Dan Harlacher's ON1 Workflow Taught Me About Working Loose

I have a problem with working too tight too early. Before I even have a rough composite assembled, I’m already fussing over edge detail and light direction. It’s a habit that slows everything down, and it comes from years of high-stakes work where a bad shadow costs you a revision cycle. But lately I’ve been forcing myself to study how other professionals approach the early, loose stage of a composite, because that’s where I’m losing time.